byang chub lam gyi sgron me: Difference between revisions

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bodhicitta, pure & total presence, primordial state, total presence, enlightened attitude, life-force, energy, ethical impulse, bodhisattva's vow, seed of compassion, semen, as lived experience (myself and my milieu), as creativity (khu ba semen and rdul blood), as indivisibility (of stong nyid (e) the intended and snying rje (vam), mind principle of illumination, pure perfected nature of mind, ka dag lhun grub dbyer med, enlightened mind, awakened mind, awakening mind, bodhichitta [JV]
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bodhicitta [a mind directed towards primordial] pure and total presence, a mind set on enlightenment, awakened heart, enlightened mind, enlightened attitude [IW]
The lamp of the path to Enlightenment, Jowo Atisha's text showing the steps of the path the enlightenment. The text is short and very pithy, written in stanzas of four lines each. This became the model for a huge genre of so-called [[lam rim]] literature [RY]
 
bodhicitta [IW]
 
a mind directed towards pure and total presence, a mind set on enlightenment, bodhichitta, awakened heart, enlightened mind, attitude, the [primordial] state of pure and total presence; enlightened mind. [[byang]] meaning - pure of obscurations and chub meaning perfect in enlightened attributes [RY]


  [[Category:Tibetan Dictionary]] [[Category:rydic2003]] [[Category:ba]]
  [[Category:Tibetan Dictionary]] [[Category:rydic2003]] [[Category:ba]]

Latest revision as of 15:41, 5 May 2021

This is the RYI Dictionary content as presented on the site http://rywiki.tsadra.org/, which is being changed fundamentally and will become hard to use within the GoldenDict application. If you are using GoldenDict, please either download and import the rydic2003 file from DigitalTibetan (WayBack Machine version as the site was shut down in November 2021).

Or go directly to http://rywiki.tsadra.org/ for more upcoming features.

བྱང་ཆུབ་ལམ་གྱི་སྒྲོན་མེ
The lamp of the path to Enlightenment, Jowo Atisha's text showing the steps of the path the enlightenment. The text is short and very pithy, written in stanzas of four lines each. This became the model for a huge genre of so-called lam rim literature [RY]