rol mo'i bye brag bco brgyad

rol mo'i bye brag bco brgyad

The eighteen requisites of musical performance, contained in the sixty-four crafts, are (1) the dancer (nartaka, {gar mkhan}); (2) the dance (nāṭya, {bro}); (3) kettledrum (bherī, {rnga bo che}); (4) clay drum (mṛdaṅga, {rdza rnga}); (5) tambour (muraja, {rnga phran}); (6) large kettledrum (dundubhi, {rnga chen po}); (7) small cymbal (paṇava, {'khar rnga}); (8) single-string lute (tuṇava, {pi vang rgyud gcig pa}); (9) one-sided clay drum (ekamukhamṛdaṅga, {rdza rnga kha gcig pa}); (10) metal bell (illarī, {lcags kyi sil khrol}); (11) bell-metal cymbals (sampa, {mkhar ba'i sil khrol}); (12) three-string lute (ballarī, {pi vang rgyud gsum pa}); (13) mukunda drum (mukunda, {rnga mukunda}); (14) harmony of percussion and singing (gītopakṣipyatūrya, {sil snyan glu dbyangs dang bstun pa}); (15) musical tempo (tālāvacara, {pheg rdob}); (16) instrumentation (vādyaśabda, {rol mo'i sgra}); (17) lute (vīṇā, {pi vang}); and (18) flute (veṇu, {gling bu}).
On all these and related matters, see Jamgon Kongtrul TOK Book 6, Pt.1: 311–315.

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