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(Shabdrung Ngawang Namgyal (zhabs drung ngag dbang rnam rgyal) [1594-1651] Contemporary Bhutanese painting by students of the Institute for Zorig Chusum, Thimphu (2000). Photo by Christopher J. Fynn.) |
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([[ye shes sku mchog gi bshags pa]]) - One of the 4 confessional liturgies for the secret fulfillment ritual composed by [[Padmasambhava]] for [[King Trisong Deutsen]]. These 4 confessional liturgies were for the four aspects of [[approach and accomplishment]]. They are: | |||
*''[[Confession of the Supreme Wisdom Body]]'' | |||
*''[[Confession of Twenty-eight Points for Adopting and Avoiding]]'' | |||
*''[[Secret Confession of the Four Classes of Dakinis]]'' | |||
*''[[Confession of the Expanse of the View]]'', also known as the ''[[Natural Confession]]'' | |||
Just as [[Vajrasattva]] in the past had taught the [[brahman]] named Human Skull and purified his obscurations, in this same way, Master Padma mended all the king's breaches of sacred commitment and thus purified his [[obscurations]]. [ZL] [[RY]] | |||
Revision as of 19:36, 8 September 2007
(ye shes sku mchog gi bshags pa) - One of the 4 confessional liturgies for the secret fulfillment ritual composed by Padmasambhava for King Trisong Deutsen. These 4 confessional liturgies were for the four aspects of approach and accomplishment. They are:
- Confession of the Supreme Wisdom Body
- Confession of Twenty-eight Points for Adopting and Avoiding
- Secret Confession of the Four Classes of Dakinis
- Confession of the Expanse of the View, also known as the Natural Confession
Just as Vajrasattva in the past had taught the brahman named Human Skull and purified his obscurations, in this same way, Master Padma mended all the king's breaches of sacred commitment and thus purified his obscurations. [ZL] RY
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| current | 07:08, 11 December 2006 |  | 420 × 626 (725 KB) | Cfynn (talk | contribs) | Shabdrung Ngawang Namgyal (zhabs drung ngag dbang rnam rgyal) [1594-1651] Contemporary Bhutanese painting by students of the Institute for Zorig Chusum, Thimphu (2000). Photo by Christopher J. Fynn. |
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