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A list of all pages that have property "Wylie-Definition" with value "In a list of types of hats in Pha-dam-pa dang Ma-cig (PRC 1992) 438.". Since there have been only a few results, also nearby values are displayed.

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  • Dictionaries/Dan Martin/9300  + (In about 1300, when teachers visited Gung thang, the dpon chen would go to meet them with kya hrags. 'Jog-ri, Gung-thang dkar-chag, fol. 34v.6.)
  • Dictionaries/Dan Martin/12340  + (In architecture, a horizontal woodwork sec … In architecture, a horizontal woodwork section above the beam with a lotus design. See Tucci, Tibetan Folk Songs, fig. 3. padma ni bsgyur na chu steng 'phyo dang utpa la ni steng 'thung zhes par mngon brjod kyi 'grel pa sogs su byung bas so. Eimer, Dbyangs 56. lotus. JD 162. See khyi. (rtsa) padma means peony. LW.2. See khyi. (rtsa) padma means peony. LW.)
  • Dictionaries/Dan Martin/7533  + (In architecture, a thin horizontal piece forming the very top part of the pillar-capital adjacent to the main beam. See Tucci, Tibetan Folk Songs, fig. 3.)
  • Dictionaries/Dan Martin/6224  + (In architecture, cloth hangings used to cover the beams. See Tucci, Tibetan Folk Songs, fig. 3. Vitali, Tho.ling 61.)
  • Dictionaries/Dan Martin/13011  + (In architecture, seems to refer to the ends of the crossbeams resting on the main beam, also used as a design element. See Tucci, Tibetan Folk Songs, fig. 3. Also above doors. See Tucci, Tibetan Folk Songs, fig. 4.)
  • Dictionaries/Dan Martin/6703  + (In architecture, the cross-wood over the rafters. See Tucci, Tibetan Folk Songs, fig. 3.)
  • Dictionaries/Dan Martin/4034  + (In architecture, the horizontal woodwork immediately above the lotus design. It is decorated with squares forming a kind of pyramidal indentation pattern. See Tucci, Tibetan Folk Songs, fig. 3.)
  • Dictionaries/Dan Martin/6222  + (In architecture, the middle horizontal piece of the pillar-capital, decorated with the monster's face. See Tucci, Tibetan Folk Songs, fig. 3.)
  • Dictionaries/Dan Martin/7535  + (In architecture, the part of the pillar-capital below the gdung gdan which it supports. It may be decorated with the monstrous face called CipaTa (see tsi pa ta). See Tucci, Tibetan Folk Songs, fig. 3.)
  • Dictionaries/Dan Martin/12842  + (In architecture, the rafters. See Tucci, T … In architecture, the rafters. See Tucci, Tibetan Folk Songs, fig. 3. de'i steng du phyam zhes dpyam las phra ba'i shing chas. Namdak, Bzo-rig 77.. (elsewhere, cham) utter, utterly, to-the-limit. beam (also, the support place of a beam), as something overarching, level and enduring. Klong-chen-pa 8.6, etc. 'cham. Gces 583.1. Btsan-lha. Namdak. See under lcam. 583.1. Btsan-lha. Namdak. See under lcam.)
  • Dictionaries/Dan Martin/5968  + (In architecture, the woodpieces between the crossbeams lying on to of the main beam. See Tucci, Tibetan Folk Songs, figs. 3 & 4.)
  • Dictionaries/Dan Martin/19563  + (In context of gtum mo practices, 1-5 are f … In context of gtum mo practices, 1-5 are five elements, 6-7 are sun & moon, 8 is universal. Samdo A IV 170r.1. Listed in 45 lahul II 322.3. A list of eight qualities of the ideal teacher in Zhi-byed Coll. V 248.2. Lobsang Dorjee Rabling, Five Treatises, p. 186-7 has the eight qualities of dbang phyug. See rnam smin gyi yon tan brgyad. See dbang phyug gi yon tan brgyad. See rig grol gyi yon tan brgyad.n tan brgyad. See rig grol gyi yon tan brgyad.)
  • Dictionaries/Dan Martin/7476  + (In context, it evid. means 'year after next.' Samdo A V 68v.2.)
  • Dictionaries/Dan Martin/19364  + (In contexts of explaining the way the thre … In contexts of explaining the way the three vows go with each other, it means something like 'possessing [the vows] upwardly/progressively' As Sgam-po-pa uses the term it seems to mean that in cases of conflict between them, the higher vows have predominance, and so there is no fault in thereby neglecting the lower. Later, some seem to believe that the lower vows are 'improved' by the taking of the higher vows. Sobisch, Dissertation. Phadampa uses the term in this passage which tells his ideas about combining the three vows: 'o na nyan thos kyi tshul khrims sna cig la rten 'tshal lam myi 'tshal lam zhus pas / rten na yang bzang thar pa'i skas yin / lar mang po mang po'i nang du nyung ngu nyung ngu 'du ba yin / gsang sngags kyi dam tshig gtsang par bsrung na / 'og ma'i bslab pa ma bsrungs kyang der 'du ba yin / sdom pa gsum la rdzas tha dad pa myed / tha dad du bsrung pa yang yod de / de yang yar ldan yin gsung // //.yod de / de yang yar ldan yin gsung // //.)
  • Dictionaries/Dan Martin/12953  + (In debates, accompanied with 3 hand claps, it is meant to hurry up the defender of the thesis. Dreyfus, Sound 213 convincingly explains the phyir as a short version of ci'i phyir, 'why'?)
  • Dictionaries/Dan Martin/20177  + (In family names, see Dargyay, TVC 48, etc. a clan. Btsan-lha.)
  • Dictionaries/Dan Martin/19445  + (In formal grammar — as part of the triad yi ge, ming & tshig — it means phoneme. Verhagen in TS9 II 154.)
  • Dictionaries/Dan Martin/4434  + (In generation stage of Guhyasamaja, the initial deity form that corresponds to the death of the bar do being.)
  • Dictionaries/Dan Martin/12136  + (In grammar, equiv. to Skt. upasarga (preposition denoting action). TS7 II 1019.)
  • Dictionaries/Dan Martin/10908  + (In grammatical contexts, indeclinable. TS7 II 1018. gser dngul sogs. Btsan-lha.)
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