Tantric Practice in Nyingma: Difference between revisions

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Sensory Spectra (khams)

Abhidharma sources identify eighteen sensory or psychophysical spectra (Skt. aṣṭadaśadhātu), namely: those of the eye, form and visual consciousness; those of the ear, sound, and auditory consciousness, those of the nose, smell, and olfactory consciousness; those of the tongue, taste, and gustatory consciousness; those of the body, touch, and tactile consciousness; and those of the intellect, phenomena, and mental consciousness. For a detailed analysis, see, L. Pruden (trans.), Abhidharmakośabhāṣyaṃ, Ch. 1, The Dhātus, pp. 55-131. GD (from the Glossary to Tibetan Elemental Divination Paintings)

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-# Tantric Practice in [[Nyingma]] on the [[Longchen Nyingthig Ngondro]]- by [[Khetsun Sangpo]] Rinpoche- translated by [[Jeffrey Hopkins]]
+Sensory Spectra ([[khams]])
+*Abhidharma sources identify eighteen sensory or psychophysical spectra (Skt. [[aṣṭadaśadhātu]]), namely: those of the eye, form and visual consciousness; those of the ear, sound, and auditory consciousness, those of the nose, smell, and olfactory consciousness; those of the tongue, taste, and gustatory consciousness; those of the body, touch, and tactile consciousness; and those of the intellect, phenomena, and mental consciousness. For a detailed analysis, see, L. Pruden (trans.), Abhidharmakośabhāṣyaṃ, Ch. 1, The Dhātus, pp. 55-131. [[GD]] (from the Glossary to [[Tibetan Elemental Divination Paintings]])
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