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Karmey Khenpo Rinchen Dargye
[[Image:Saraha02.jpg|frame|Saraha]]


One of the close disciples of [[Chokgyur Lingpa]].  
'''Saraha''', Indian [[Mahasiddha]] and lineage master in the Mahamudra transmission. Also known as "The Great Brahmin". Historically he is certainly one of the most elusive figures in the transmission of the Mahamudra lineage. No definite dates are known for him. Saraha is counted among the [[Eighty-four Mahasiddhas of India]] and a brief biography of him can be found in the work of [[Abhayadatta]]. The "Dohakosa-Nama-Caryagiti" or [[doha mdzod spyod pa'i glu]] is attributed to him. Several of these songs are translated into English.<br>
According to the famous historian, the [[2nd Pawo Rinpoche]] Tsuglag Threngwa (1504-1566) in his history of the Dharma [[chos byung mkhas pa'i dga' ston]], Saraha was born 360 years after the Buddhas's passing into Nirvana. He was born in a country called Vidharbha in the south, and was the youngest of five brothers. They all were very well versed in brahmanic lore. Saraha, having had great faith in the teachings of the Buddha, took ordination from the master [[Rahula]] and proceeded to become an exceptional scholar. One day, as he was walking in a forest, he came upon four brahmin girls who were celebrating a feast. Each of them offered him a skull cup full of alcohol after which he experienced the four kinds of joy. The girls then revealed themselves to be dakinis and granted him the four empowerments.<br>
One of them then said, "This is your master!" and as he looked up into the sky, the Bodhisattva [[Ratnamati]] appeared, along with [[Hayagriva]]. From them he then received the transmission of the Mahamudra teachings.<br>
He then proceeded to a market place where he came upon a woman making arrows. As soon as he saw her, all appearances took on a symbolic meaning. She also taught him Mahamudra and together they performed tantric practices. Once, as he was practicing with a consort in a forest, he asked her to boil him some radishes. Then he entered a deep meditative absorption from which he did not emerge for 12 years. When he emerged from this samadhi, he said, "Now we should go to a solitary place!" and then asked, "Where is my boiled radish?"<br>
His consort answered, "If your mental desires are not yet cut off, taking your body to solitude will not help. What sort of meditation is that, that cannot even cut off the desire for radishes?" Then she told him how he had been meditating for the last 12 years. "Right!" he thought and proceeded to practice in various places with various consorts. He converted many critics of his lifestyle and non-buddhists with miracles and sang many songs of realisation. The most famous ones are the "Doha for the King", the "Doha for the Queens" and the "Doha for the People". Upon passing away, he did not leave a physical body behind but left for the realms of the dakinis.<br>
"Doha" is the name for a certain type of songs and their specific meter that were in frequent use in ancient India. Employing these, Saraha thus founded a tradition of expressing spiritual realisation and instruction in this particular form of song, that was to be adopted by many masters and was to continue for many centuries.<br>
A very well researched and superbly written work on Saraha has recently been published by Kurtis R. Schaeffer, "Dreaming the Great Brahmin: Tibetan Traditions of the Buddhist Poet-Saint Saraha", Oxford University Press Inc, USA, ISBN 0195173732. Also look at "A Song for the King: Saraha on Mahamudra Meditation" by [[Khenchen Thrangu Rinpoche]] and [[Michele Martin]], Wisdom Publications, USA, ISBN 0861715039.


==Dates==
Karma’i Mkhan po Rinchen Dargye (1823?-?) PT KI 15 mentions that he was 64 in a dog year (1886?). Another commentary on zab bdun (written after 1856) mentions that he was 37.


==Short Essay==
[[Category:Buddhist Masters]]
[[Karmey Khenpo]] Rinchen Dargye was a reincarnation of the great pandita, [[Shantarakshita]], who Tibetans commonly call [[Khenpo Bodhisattva]]. Shantarakshita was from the Indian country of [[Sahor]] and was the very first master invited for the construction of Samye in Tibet. Karmey Khenpo was often compared to [[Karmey Chagmey]] in terms of caliber. He had his own seat at the great monastery Karmey Gon in Kham and, even though he was a disciple of Chokgyur Lingpa, his background was [[Karma Kagyu]].
[[Category:Mahamudra Lineage]]
Karmey Khenpo was an extraordinary master and looked like one of the sixteen arhats. He was a completely pure monk and never let meat or alcohol touch his tongue his entire life. He also said that his hand had never even grazed a woman. They also say he never allowed a lie to cross his lips. Yet, even though he was so gifted and quite close to Chokgyur Lingpa, he still didn’t have the fortune to receive the [[Dzogchen Desum]] in person. However, after the great terton passed away, Karmey Khenpo did have a vision of Chokgyur Lingpa’s wisdom-body and received the complete empowerments and transmissions then.
[[Category:Indian Siddhas]]
Karmey Khenpo was an incredibly great master. Even [[Dudjom Rinpoche]] was amazed by his writings and once told me, “It’s so wonderful that someone like Karmey Khenpo could possibly exist in this world.” He lived, I believe, into his early 80’s and was then reborn as the son of [[Samten Gyats]]o’s sister.
:--extract from ''[[Blazing Splendor]]'', the momoirs of [[Tulku Urgyen Rinpoche]].
 
==Various names==
*Khenpo Karma Ratna Wangchuk (mkhan po ka rma rat na dbang phyug).
*[[padma blo gros]]
*[[a mdo 'dul 'dzin]]
*[[a mdo 'dul 'dzin kar ma sangs rgyas chos 'phel]]
*[[a mdo 'dul 'dzin pa]]
*[[a mdo 'dul 'dzin padma drid med blo gros gzhan phan chos kyi snang ba]]
*[[a mdo mkhan po padma drid med blo]]
*[[a mdo padma drid med blo gros gzhan phan chos kyi snang ba]]
*[[ban rgan ratna khan ratna]]
*[[khan chen ratna]]
*[[mkhan po karma ratna]]
*[[kar ma chos 'phel]]
*[[sangs rgyas chos 'phel]]
*[[mkhan po karma rin chen dar rgyas]]
*[[mkhan po karma 'dul 'dzin ngag dbang blo gros rin chen seng ge legs bshad sgra dbyangs rgya mtsho]]
*[[mkhan po 'dul 'dzin]]
*[[kar ma sangs rgyas chos 'phel]]
*[['dul 'dzin]]
*[['dul 'dzin ratna]]
*[['dul 'dzin pa ratna]]
*[['dul 'dzin rgan po]]
*[['dul 'dzin mkhan ming pa]]
*[['dul 'dzin karma ratna]]
*[['dul 'dzin mkhan po karma rin chen dar rgyas dpal bzang po]]
*[['dul ba 'dzin pa rgyal sras padma dri med blo gros gzhan phan chos kyi snang ba]]
*[['dul 'dzin ban rgan]]
*[['dul 'dzin kar ma sangs rgyas chos 'phel am padma dri med blo gros gzhan pan chos kyi snang ba]]
*[['dul 'dzin me 'bar rdo rje gang shar rang grol thogs med rtsal]]
*[['dul 'dzin padma blo gros]]
*[['dul 'dzin padma dri med blo gros gzhan phan chos kyi snang ba]]
*[[karma 'dul 'dzin pa padma dri med blo gros gzhan phan chos kyi snang ba]]
*[[gter slob ratna]]
*[[mkhan po 'dul 'dzin pa kar ma sangs rgyas chos 'phel rgya mtsho dpal bzang po phyogs las rnam par rgyal ba'i sde]]
*[[mkhan po rgyal sras padma dri med chos kyi blo gros gzhan phan ye shes snang ba]]
*[[mkhan po'i ming 'dzin padma dri med blo gros]]
*[[mkhan rin chen padma dri med blo gros gzhan phan chos kyi snang ba]]
*[[gter slob ban rgan karma ratna]]
*[[gter slob 'dul 'dzin pa]]
*[[gter slob 'dul 'dzin karma rin chen dar rgyas dpal bzang po]]
*[[gter slob 'dul 'dzin ratna]]
*[[gter slob 'dul 'dzin rgan po]]
*[[gter slob 'dul ba 'dzin pa ngag dbang blo gros rin chen seng ge]]
*[[gter slob 'dul ba 'dzin pa ngag dbang blo gros rin chen seng ge legs bshad sgra dbyangs rgya mtsho]]
*[[gter slob mkhan ming pa kar ma sangs rgyas chos 'phel]]
*[[gter slob padma dri med blo gros zhan phan chos kyi snang ba]]
*[[gter slob khan po]]
*[[gter slob mkhan po ratna]]
*[[gter slob mkhan po rin chen]]
*[[gter slob mkhan po karma ratna]]
*[[gter slob mkhan ming ratna]]
*[[gter slob mkhan ming 'dul 'dzin]]
*[[gter slob mkhan ming karma ratna]]
*[[gter slob ming 'dzin mkhan po karma ratnagter slob sangs rgyas chos 'phel]]
*[[gter slob karma rin chen dar rgyas]]
*[[gter slob karma rin chen dar rgyas dpal bzang po]]
*[[gter slob mkhan po 'dul 'dzin kar ma rin chen dar rgyas dpal bzang po]]
*[[ratna]]
*[[mkhan po rin chen dar rgyas]]
*[[rin chen dar rgyas]]
*[[gter slob mati ratna]]
*[[gter chen dngos slob karma 'dul 'dzin pa]]
*[[karma ratna]]
*[[karma rin chen dar rgyas]]
*[[karma rin chen dar rgyas dpal bzang po]]
*[[mkhan ming pa]]
*[[mkhan ming 'dul 'dzin pa karma ratna]]
*[[gter slob 'dul 'dzin padma dri med blo gros gzhan phan chos kyi snang ba 'am rin chen dar rgyas dpal bzang po]]

Latest revision as of 23:19, 11 April 2009

Saraha

Saraha, Indian Mahasiddha and lineage master in the Mahamudra transmission. Also known as "The Great Brahmin". Historically he is certainly one of the most elusive figures in the transmission of the Mahamudra lineage. No definite dates are known for him. Saraha is counted among the Eighty-four Mahasiddhas of India and a brief biography of him can be found in the work of Abhayadatta. The "Dohakosa-Nama-Caryagiti" or doha mdzod spyod pa'i glu is attributed to him. Several of these songs are translated into English.
According to the famous historian, the 2nd Pawo Rinpoche Tsuglag Threngwa (1504-1566) in his history of the Dharma chos byung mkhas pa'i dga' ston, Saraha was born 360 years after the Buddhas's passing into Nirvana. He was born in a country called Vidharbha in the south, and was the youngest of five brothers. They all were very well versed in brahmanic lore. Saraha, having had great faith in the teachings of the Buddha, took ordination from the master Rahula and proceeded to become an exceptional scholar. One day, as he was walking in a forest, he came upon four brahmin girls who were celebrating a feast. Each of them offered him a skull cup full of alcohol after which he experienced the four kinds of joy. The girls then revealed themselves to be dakinis and granted him the four empowerments.
One of them then said, "This is your master!" and as he looked up into the sky, the Bodhisattva Ratnamati appeared, along with Hayagriva. From them he then received the transmission of the Mahamudra teachings.
He then proceeded to a market place where he came upon a woman making arrows. As soon as he saw her, all appearances took on a symbolic meaning. She also taught him Mahamudra and together they performed tantric practices. Once, as he was practicing with a consort in a forest, he asked her to boil him some radishes. Then he entered a deep meditative absorption from which he did not emerge for 12 years. When he emerged from this samadhi, he said, "Now we should go to a solitary place!" and then asked, "Where is my boiled radish?"
His consort answered, "If your mental desires are not yet cut off, taking your body to solitude will not help. What sort of meditation is that, that cannot even cut off the desire for radishes?" Then she told him how he had been meditating for the last 12 years. "Right!" he thought and proceeded to practice in various places with various consorts. He converted many critics of his lifestyle and non-buddhists with miracles and sang many songs of realisation. The most famous ones are the "Doha for the King", the "Doha for the Queens" and the "Doha for the People". Upon passing away, he did not leave a physical body behind but left for the realms of the dakinis.
"Doha" is the name for a certain type of songs and their specific meter that were in frequent use in ancient India. Employing these, Saraha thus founded a tradition of expressing spiritual realisation and instruction in this particular form of song, that was to be adopted by many masters and was to continue for many centuries.
A very well researched and superbly written work on Saraha has recently been published by Kurtis R. Schaeffer, "Dreaming the Great Brahmin: Tibetan Traditions of the Buddhist Poet-Saint Saraha", Oxford University Press Inc, USA, ISBN 0195173732. Also look at "A Song for the King: Saraha on Mahamudra Meditation" by Khenchen Thrangu Rinpoche and Michele Martin, Wisdom Publications, USA, ISBN 0861715039.